— Roadside Attractions (@roadsidetweets) May 4, 2016
DALLAS — The Texas Theatre and the USA Film Festival in Dallas will honor writer and director Whit Stillman in conjunction with a special 25th anniversary screening of his contemporary classic Metropolitan on Wednesday, November 4, 2015, 7:30pm, at the Texas Theatre, 231 W. Jefferson
Boulevard, Dallas, Texas. The one-night-only event will include a screening of the film followed by an on-stage Q&A session with Whit Stillman.
Metropolitan is coming to the Gene Siskel Film Center in Chicago on September 26th to the 28th. Whit Stillman will discuss the film via Skype on the 26th. Just take Michigan Avenue…
SEPTEMBER 26: Director Whit Stillman, currently editing his new film LOVE AND FRIENDSHIP in Paris, will discuss the film via Skype at the Saturday screening.
Whit Stillman, Carolyn Farina, and Dylan Hundley talk to AOL Build.
Whit Stillman’s Metropolitan opens August 7th at Lincoln Center. It will run Friday, August 7th to Thursday, August 13th. The earliest screenings will have Q&A. From the Lincoln Center page:
Whit Stillman, 1990
USA | Format: DCP | 98 minutes
One-week exclusive run opens August 7
Friday, 7:00pm – cast members Chris Eigeman, Dylan Hundley, Carolyn Farina, and Allison Rutledge-Parisi
Saturday, 7:00pm – Whit Stillman and cast members Dylan Hundley, Carolyn Farina, and Allison Rutledge-Parisi
Sunday, 7:00pm – Whit Stillman
Whit Stillman’s seminal comedy of manners introduced audiences to the “UHBs” (urban haute bourgeoisie), those mordantly ironic socialites too highbrow for their own good, and in the process brought a class-conscious verbal flair to 1990s independent cinema. Home on winter break during the debutante season, middle-class Princeton student Tom (Edward Clements) falls in with the “Sally Fowler Rat Pack,” a group of Upper East Side friends named for the girl (Dylan Hundley) whose apartment they use for after-hours parties. As naif Tom is accepted into the group, he becomes smitten with Audrey (Carolyn Farina) while struggling with his feelings for his ex Serena (Elizabeth Thompson), and batting declarations of grandeur from conservative Charlie (Taylor Nichols) and dandy Nick (Stillman axiom Chris Eigeman). Stillman’s worldview is wryly detailed and intimate, with clear affection for his characters. The Film Society is proud to celebrate the 25th anniversary of Stillman’s unabashedly literary (and recently restored!) debut, a film that spawned a host of imitators yet whose patent originality arrived fully formed. A Rialto Pictures release.
New Directors/New Films 1990
Sundance Film Festival 1990
Cannes Director’s Fortnight 1990
“Considered by many to be one of the best indies of the 1990s.” —Nigel Smith, Indiewire
“As unexpectedly irresistible as ever: funny, moving, and entertaining.” —Luc Sante, The Criterion Collection
“A witty, urbane portrait of Manhattan’s debutante scene.” —Matthew Weyland, BBC.com