Hans Morgenstern continues his interview with Whit Stillman in this second and last part. Stillman and Morgenstern talk about the posters in Damsels, how distraction can help with depression, and of course the bad review.
Hans Morgenstern: One thing I am wondering about is your intention in the film.
Whit Stillman: There’s a very serious intention in the film.
But I mean, is it a cultural criticism of today?
Of course. All the films are. But I think it’s a kind of life preserver. I think there’s a very serious intention in the film where there is all this kind of romance of suicide, the romance of depression, in college. And the way most people deal with this is to therapize it, take it really seriously and re-dramatize it. And, actually, to get out of those moods for people, when it’s not clinical mental illness, is to distract, to make active, to do these things, and then, with the passage of time, they very often get out of that cast of mind…
But it’s background. It’s nothing to the theme of your film, right?
Nothing on the walls is supposed to be focal. For instance, my university daughter still hasn’t got her posters back because I took all her posters from her wall because she had to decamp from her room and so the posters were in my apartment, and they were by an artist friend who I had represented, and so I just took her posters and gave them to the art department and said, “Put these in the girls’ room.” And, anyway, he built this whole review about my pretentiousness in my references.